Bibliography of secondary sources

This bibliography is provided in addition to the list of primary sources, which means that secondary literature (introductions, afterwords, etc) included in Max Raphael’s (posthumous) publications have largely been omitted – unless digital editions are available. The list has been compiled by Jules Schoonman and is based on sources provided by Patrick Healy, those listed by Ulrike Wendland in Biographisches Handbuch deutschsprachiger Kunsthistoriker im Exil (1999, see below) and suggestions by others who contacted the Max Raphael Project. If you would like to contribute to the list or are able to provide access to named sources, please don’t hesitate to get in touch.

B

  • Baffier, Dominique (1988) "M. Raphaël, Trois Essais sur la signification et l'art pariétal paléolithique," in: L'Homme, Vol. 28 No 106-7, pp. 384-385. Review of Trois Essais sur la signification et l'art pariétal paléolithique (1986). Persee.fr
  • Barrett, Michèle (1987) “Max Raphael and the Question of Aesthetics,” in: New Left Review, I/161, January-February, pp 78-97. New Left Review
  • Barrett, Michèle (1999) Imagination in Theory: Culture, Writing, Words, and Things. New York: New York University Press. Google Books
  • Beck, Ernst Louis (1952) “Max Raphael,” in: Das Kunstwerk, Vol. 6, No. 5, p. 56. Obituary
  • Berger, John (1969) "Revolutionary Undoing," in: New Society, 13. Review of The Demands of Art (1968). Also in: The Look of Things: Selected Essays and Articles (1972) and Selected essays (2001).
  • Berger, John (1978) "The Work of Art," in: New Society. Review of Nicos Hadjinicolaou's Art History and Class Struggle (1978). Also in: The White Bird (1985) and Selected essays (2001).

C

  • Chesney, Shirley (1989) “‘Bison of Uncertain Sex,’” in: The Max Raphael Project. Go to essay
  • Chesney, Shirley (1991) "Max Raphael's contributions to the study of prehistoric symbol systems", in: Paul G. Bahn, Andrée Rosenfeld (eds.) Rock art and prehistory: papers presented to Symposium G of the AURA Congress, Darwin 1988 (Oxford: Oxbow Books) pp. 14-22.
  • Chesney, Shirley (1994) “Max Raphael (1889–1952): A pioneer of the semiotic approach to palaeolithic art,” in: Semiotica, Vol. 100, No. 2-4, pp. 109-124. De Gruyter
  • Cohen, Jean-Louis (1995) André Lurçat (1894-1970), autocritique d‘un moderne. (Liege: Pierre Mardaga). WorldCat
  • Craven, David (1983) Review of "Proudhon, Marx, Picasso: Three Studies in the Sociology of Art," in: Theory and Society Vol. 12 No. 5, pp. 692-696. JSTOR

D

  • Delahaye, Françoise (2007) "Max Raphael et les statues de l’île de Pâques," in: Revue Francophone d’Esthétique, No. 4 (September 2007), pp. 73-82.
  • Delahaye, Françoise (2008) Forme et Histoire sur la theorie de l’art de Max Raphael (1889-1952). Doctoral thesis, Sorbonne Université. Lettres Sorbonne Université
  • Delahaye, Françoise (2009) “De l’impressionnisme décoratif à l’expérience vécue Max Raphael témoin privilégié Remarques sur la particularité du « moment Matisse »,” in: Études Germaniques, Vol. 4, No. 256, pp. 955-976. Cairn.info, Open Access
  • Delahaye, Françoise (2011) "La plasticité “gestaltique” de la forme. L’enjeu spéculatif de Max Raphael, penseur de l’art après Simmel et Wölfflin," in: Études de philosophie, No. 9-10, pp. 232-253. Séminaire de Métaphysique
  • Delahaye, Françoise (2019) "Max Raphael, de Von Monet zu Picasso à Wie will ein Kunstwerk gesehen sein? Esquisse d’une théorie normative de l’art," in: Études Germaniques, Vol. 74, No. 1, pp. 75-93.
  • Diers, Michael (2010) "Bande à part. Die Außenseite(r) der Kunstgeschichte: Georg Simmel, Carl Einstein, Siegfried Kracauer, Max Raphael, Walter Benjamin und Rudolf Arnheim," in: Horst Bredekamp, Adam S. Labuda (eds.) In der Mitte Berlins. 200 Jahre Kunstgeschichte an der Humboldt-Universität (Berlin: Gebr. Mann Verlag) pp. 273-292.
  • Drewes, Werner E. (1993) “Raphaels Hand-Annäherungen,” in: Max Raphael, Prähistorische Höhlenmalerei, Aufsätze, Briefe (Köln/Saignelégier: Bruckner & Thünker Verlag), pp. 193-292. View PDF
  • Drewes, Werner E. (1998) “Max Raphael und Carl Einstein. Konstellationen des Aufbruchs in die ‘Klassische Moderne,’” in: Études Germaniques, Vol. 53, No. 1 (Carl Einstein Colloque, Centre Georges-Pompidou-Sorbonne), pp. 123-158.
  • Dröge, Franz & Knut Nievers (1982) “Vom Kunstmuseum zum Kulturmuseum. Max Raphaels Museumskonzeptionen,” in: Kritische Berichte, Vol. 10, No. 2, pp. 3-22. heiJOURNALS

F

  • Flacke-Knoch, Monika (1980) “Wilhelm R. Valentiners Museumskonzeption von 1918 und die zeitgenössischen Bestrebungen zur Reform der Museen,” in: Kritische Berichte, Vol. 8, No. 4/5 pp 49-58. heiJOURNALS, Open Access
  • Frank, Tanja (1975) “Max Raphaels Beitrag zur marxistischen Kunstwissenschaft,” in: Künstlerisches und kunstwissenschaftliches Erbe als Gegenwartsaufgabe Volume 1, pp. 155-163.
  • Frank, Tanja (1990) “Max Raphael zum 100. Bericht vom Max-Raphael-Kongreß in Hamburg,” in: Bildende Kunst No. 1, p. 53.
  • Frank, Tanja (1990) “Max Raphael zu Leo Balet. Methodenästhetik oder synthetische Wissenschaft,” in: Bildende Kunst No. 1, p. 56-60.

G

  • Gernot Grube (2013) "Raphaels Ikonographie jungpaläolithischer Kunst" in: Max Raphael (2013) Die Hand an der Wand (Zürich-Berlin: Diaphanes), pp. 145-173. View PDF

H

  • Healy, Patrick (1993) “Matisse and the earliest theory of German Expressionism,” in: Element, pp. 29-36. View PDF
  • Healy, Patrick (2007) “Max Raphael, Dialectics and Greek Art,” in: Footprint #1 Trans-disciplinary, pp. 57-76. TU Delft, Open Access
  • Healy, Patrick (2018) “Cézanne in the critical work of Max Raphael,” in: The Max Raphael Project. Go to essay
  • Healy, Patrick (2018) “Design, Demos, Dialectics: Max Raphael’s Theory of Doric Architecture,” in: Cubic Journal, No. 1, pp. 108-123. View PDF | Cubic Journal
  • Heinrichs, Hans-Jürgen (1986) “Max Raphaels empirische Kunstwissenschaft,” in: Merkur, Vol. 40, No. 451 (September 1986), pp. 844-851. Merkur
  • Heinrichs, Hans-Jürgen (1988) “Max Raphael. »Wenn ich Maler wäre«,” in: Alfred Paffenholz (ed.) Spurensicherung 1. Kunsttheoretische Nachforschungen über Max Raphael, Sergej Eisenstein, Viktor Schklowskij, Raoul Hausmann. (Hamburg: Junius).
  • Heinrichs, Hans-Jürgen (1989) »Wir lassen uns die Welt nicht zerbrechen« Max Raphaels Werk in der Diskussion (Frankfurt am Main: Suhrkamp). Table of Contents
  • Heinrichs, Hans-Jürgen, Patrick Healy & Lutz Weissenstein (1992) “Max Raphael,” in: Exil 1933-1945. Forschung, Erkenntnisse Ergebnisse, No. 1, pp. 46-57.
  • Holl, Hans Günther (1989) “Marxismus und reine Metaphysik. Max Raphaels Schriften zur Philosophie und Literatur,” in: Die Zeit, No., 22/1989. Review of Natur-Kultur. Zeit Online
  • Hönes, Hans-Christian (2015) "Zum Geschichtsbewusstsein des Höhlenmenschen: Max Raphael als Hegel redivivus", in: Kunstchronik Vol. 68, No. 11, pp. 544-548. Review of Die Hand an der Wand (2013). Table of Contents
  • Hornig, Dieter (1994) “Max Raphael: théorie de la création et production visuelle,” in: Revue germanique internationale, No. 2. CNRS Éditions, Open Access

K

  • Kern, Walter (1952) “Max Raphael gestorben,” in: Werk, Vol. 39, No. 10, pp. 145-146. Obituary. e-periodica, Open Access
  • Köpke, Wulf (2010) “Max Raphael,” in: John M. Spalek et al (eds.) Deutschsprachige Exilliteratur seit 1933, Band 3, Supplement 1 USA, pp. 249-264. De Gruyter

L

  • Latzel, Klaus (1997) "„Wille zu Deutschland“ und „individuelles Gesetz“ — zu Georg Simmels Argumentationsstruktur im Ersten Weltkrieg. Ein Vergleich mit Max Raphael," in: Simmel Newsletter Vol. 7 No. 2, pp. 103-114.
  • Lorblanchet, Michel (1995) Les Grottes ornées de la préhistoire. Nouveaux regards (Paris: Edition Errance) pp. 83. German translation: Höhlenmalerei. Ein Handbuch, Stuttgart: Jan Thorbecke Verlag, 1997. Second edition 2000.

M

  • Meyer, Ingo (2018) "Simmel as a "Hidden King"? On his relations to Egon Friedell and Max Raphael," in: H-ermes. Journal of Communication, No. 10 pp. 13-22. Open Access
  • Mitchell, Stanley (2006) “Max Raphael: Aesthetics and Politics,” in: Andrew Hemingway (ed.) Marxism and the History of Art. From William Morris to the New Left. (London: Pluto Press). JSTOR
  • Modigliani, Denise (2008) "Voir la peinture. Avec Max Raphael," in: Max Raphael, Questions d'art (Paris: Klincksieck).
  • Morawski, Stefan (1981) “Marxist Historicism and the Philosophy of Art,” in: Architectural Design, Vol. 51, No. 6/7 (On the Methodology of Architectural History).

O

  • Ophälders, Markus (2005) "Max Raphael legge Guernica di Picasso," in: Markus Ophälders (ed.) Filosofia dell'arte. Fenomenologie e Arte: immagini e figure riflesse nella filosofia No. 4, pp. 111-124.
  • Ophälders, Marcus (2006) "Max Raphael liest Picassos »Guernica«," In: Hans Rainer Sepp, Jügen Trinks (eds.) Phänomenalität des Kunstwerks (Wien: Verlag Turia + Kant) pp. 109-127.

P

  • Prange, Regine (2016) “Kunstgeschichte aus dem Geist der Gegenwart? Wölfflin und die Avantgarde,” in: Aurenhammer, Hans; Prange, Regine (eds.) Das Problem der Form: Interferenzen zwischen moderner Kunst und Kunstwissenschaft, (Berlin: Gebr. Mann Verlag) pp. 87-108 (Neue Frankfurter Forschungen zur Kunst, Vol. 18). Open Access

Q

  • Quetglas, Josep (2005) "Max Raphael: Das Werk von Le Corbusier / L'œuvre de Max Raphael (1930)," in: Massilia: anuario de estudios lecorbusierianos, pp. 78-85. UPCommons

R

  • Raddatz, Fritz J. (1974) “Max Raphael: ‘Theorie des geistigen Schaffens,’” in: Die Zeit, No. 49/1974. Die Zeit
  • Read, Herbert (1964) "An Aesthetic Manifesto," in: Times Literary Suplement, July 9 1964.

S

  • Sacchi, Dominique (1986) Review of “L’art pariétal paléolithique et autres essais,” in: Cahiers ligures de préhistoire et de protohistoire No. 3.1986, pp. 287-288.
  • Sacchi, Dominique (2009) “Max Raphaël et la question des galets peints aziliens,” in: De Méditerranée et D’ailleurs… (Toulouse: Archives d’Écologie Préhistorique), pp. 675-683.
  • Sacchi, Dominique (2016) “À propos de deux incursions de René Nelli en préhistoire,” in: Daniel Fabre & Anna Iuso (eds.) René Nelli ou la poésie des carrefours (Carcassonne: Garae Hésiode), pp. 251-264.
  • Schaefer, Claude (1990) “Der Freund, Lehrer und Kritiker,” in: Bildende Kunst No. 1, pp. 54-55.
  • Schumacher, Joachim (1937) Die Angst vor dem Chaos. Über die falsche Apokalypse des Bürgertums (Paris: Éditions Asra). Second edition: Frankfurt a. M.: Makol-Verlag (1972). Third edition: Frankfurt a.M.: Syndikat (1978).
  • Solomon, Maynard (ed.) (1973) Marxism and Art: Essays Classic and Contemporary (New York: Alfred A. Knopf). Reprint: Wayne State University Press, Detroit, 1979. See commentary on pp. 420-426, with excerpts of Prehistoric Cave Paintings (1945) and The Demands of Art (1968) on the following pages. Google Books

T

  • Tagg, John (1975) “The Method of Max Raphael: Art History Set Back on its Feet,” in: Radical Philosophy, No. 12, Winter 1975, pp. 3-10.
  • Tagg, John (1980) “The Method of Criticism and its Objects in Max Raphael's Theory of Art”, in: Block, No. 2, pp. 2-14.
  • Thibault, Estelle (2010) La Géométrie des émotions. Les esthétiques scientifiques de l’architecture en France, 1860-1950. Wavre: Éditions Mardaga. Google Books
  • Truitt, Willis H. (1971) “A Marxist Theory of Aesthetic Inquiry: The Contribution of Max Raphael,” in: The Journal of Aesthetic Education, Vol. 5, No. 1 (Jan 1971), pp. 151-161. JSTOR
  • Truitt, Willis H. (1971) “Towards an Empirical Theory of Art: A Retrospective Comment on Max Raphael‘s Contribution to Marxian Aesthetics,” in: British Journal of Aesthetics, Vol. 11, No. 3 (March 1971), pp. 227-236. Oxford University Press

V

  • Vranicki, Predrag (1974) Geschichte des Marxismus. Zweiter Band (Frankfurt am Main: Suhrkamp Verlag) pp. 536-542 ('Max Raphael').

W

  • Waage, F.O. (1947) "Prehistoric Cave Paintings by Max Raphael and Norbert Guterman," in: The Art Bulletin, Vol. 29, No. 2, pp. 133-134. Review of Prehistoric Cave Paintings (1945). View PDF
  • Wendland, Ulrike (1999) “Max Raphael,” in: Biographisches Handbuch deutschsprachiger Kunsthistoriker im Exil. (München: Saur), pp. 529-534. De Gruyter
  • Wilson, Sarah (2013) Picasso/Marx and socialist realism in France (Liverpool: Liverpool University Press).